The mural paintings presents in the church of serrone have a large artistic valence; after an attentive and long search was possible I individualize the historical period of these paintings mural actual associandole to the school of art Umbrian profit in Rome in the '500, in fact observing attentive you fresco him, notes a strong similarity with Pinturicchio or however with the present painters in Rome in that I make sentences. It is necessary also to add that the Umbrian school of art with the its greater representatives was preferred from the Column, to that belonged actual Serrone.
Other hypothesis on the fatherhood of the you fresco carry directly to the school of art of Raffaello, Roman Giulio, Francesco Pens, Sebastiano of the Lead, all painters that worked to the Farnesina for account of Lion Medical X, Pope that accommodated repeatedly the family Column in its sumptuous palaces.
Traveling the left nave of the church enters in the hat of the 800; the invoice of its you fresco in art is not comparable to those cited in priority, in fact are frescoed more recent, monochrome, and with a resolution of the harmonious flat and little bodies.
The image of the wall right hand of the church even if extremely ruined represents Erodes with the head of Giovanni Baptist in hand and Salomè, with the dish prolonged in before that turns the head from the other part in order not to see.
In the same wall another of the mural paintings represents a Mandate; in slow first a Pope that leans a papalina on the head of a knight or Minister of the Church, to entrust them an important assignment.
On the opposite wall, better preservative, it is distinguished the figure likely of Luigi intent Gonzaga in the to give the sacrament of the Community to a Holy knight with the golden aureola. The stage is developed to the inside of a church that resembles a lot to the church of San Pietro to Serrone, there is in fact an altar with above of the golden candelabri and a crucified one to the center.
In the last one of the you fresco, always on the political left, the apparition of the angel to San it is painted Pietro; stages of the life of the Holy one I am running back in the paintings of this church like in the wall right hand of the abside where the Delivery of the keys to San is represented Pietro.
Of enormous importance for the art it is the shovel of the greater altar where stands out the image of San Michele Archangel (patron of Serrone).
The cloth of valuable invoice and of unknown author, goes back to the half of the '600 and is a copy quite reproduced some San Michele Archangel of Guido Reni (1635). And 'sufficient to compare the two televisions to note that the paintings are equal in the garments, in the proportions, in the you manage; alone the I turn is different, but for chosen some artist that wants to characterize and to give back autonomous its work with respect to that of Guido Reni.
After an I consult with the American critic of art D.S.Pepper" has arrived at the hypothesis that the painting is some Roman school of the Maratta and that goes back to the years that go from 1660 to 1680.
The searches conducts in the field of the art stretch out to attribute the fatherhood of this painting to Pierre Dulauvier (or Laurier) said also Pietro Lauri of Guido, that did part of the shop of Guido Reni.
To the of above of this shovel there is another cloth representing San Pietro Apostle, also essa of good invoice.
The frame in plaster that surrounds these two paintings is seventeenth-century.